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- HOUSE ON HAUNTED HILL ENDING MOVIE
- HOUSE ON HAUNTED HILL ENDING PLUS
- HOUSE ON HAUNTED HILL ENDING TV
The newly added color is harmless enough. As for the colorized version (this film's first color release), it's okay. It's a sharp, pristine image with solid blacks and graytones. The restoration has yielded a spotless print with a flawless transfer. For purists, the original version looks super. The colorized version is the main attraction, with the original b&w version demoted to the Special Features menu without a scene-select option.
HOUSE ON HAUNTED HILL ENDING PLUS
This time the fun animated menus give us both the restored black-and-white original plus a new colorized version of the film. Legend Films (is "a studio specializing in restoring and colorizing classic films," touting a "proprietary new technology" that "allows us to color films in high definition at a never-before-seen vibrancy." Their edition of House on Haunted Hill makes the fifth DVD release, at least, for this public-domain favorite. (The titular house's exterior, by the way, is L.A.'s Ennis-Brown House, a Frank Lloyd Wright concrete block behemoth that continued to earn its SAG card in Blade Runner, The Rocketeer, Rush Hour, TV's Buffy the Vampire Slayer, and other productions.)
HOUSE ON HAUNTED HILL ENDING MOVIE
Before his 1960s Poe period and '70s Phibes phase, his tongue is already lodged in cheek and his eyebrow is arched just so when his giant floating head opens the movie by inviting the audience to a party of "food and drink.and ghosts." Price is always a treat, and here he makes an otherwise plodding movie with an EC Comics surprise-ending script worthwhile, which is more than can be said about the 1999 remake. Vincent Price's portrait hangs at the entrance to the museum of charming villainy, and here he serves up the meticulously spiced ham we love him for. straight-face lines like "These guns are no good against the dead, only the living" before ending the film by intoning, "They're coming for me now and then they'll come for you!"? As if we need more evidence that no one considered this more than just a silly seat-filling goof even in '59, notice that in the closing credits "Skeleton" is played by "Himself." Will the guests gun each other dead in a lethal epidemic of the willies? Why do Price's acid-tongued millionaire and his scheming trophy wife, Carol Ohmart, hate each other so? ("Remember the fun we had when you poisoned me?") And how does soused, pop-eyed Elisha Cook Jr. Then like carnival-goers stumbling through a boo!-rific spookhouse, they're beset by squeaking doors, eerie specters, a ceiling that drips blood (about which we're told, "a young girl was killed here, and whatever got her wasn't human"), one falling chandelier, severed heads, a ghost-witch in the cellar (a fine jolt), an organ playing itself, a monster hand grasping the hysterical ingénue's shoulder, a walking skeleton, and other proto- Scooby-Doo tropes.
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Price gifts them with little coffins, inside which are loaded revolvers. Evil pinky near your lips) each if they can survive being locked overnight in his ghost-infested mansion. On DVD we don't get Emergo, and the fully engrossed viewer might be better off gauging his blood alcohol level, but we do get Vincent Price as the sinister millionaire offering to pay five strangers $10,000 (say it with a Dr. As Stephen King recalls in his nonfiction book Danse Macabre, Castle also ornamented the movie's PR by warning ticket-buyers that they must have their blood pressure checked before daring to enter the theater. House on Haunted Hill had Emergo when in the film a vengeful skeleton rose from the vat of bubbling acid, specially equipped theaters reeled out a plastic skeleton that "floated" above the audience on a wire (whereupon the fright-tastic apparition became a popular target for Milk Duds and pea-shooters).
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Sardonicus' Punishment Poll, and Homicidal's Fright Break. Castle is of course remembered for his gimmicky promotions such as theater seats rigged with electric shock buzzers for The Tingler, 13 Ghosts' Illusion-O, Mr.
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HOUSE ON HAUNTED HILL ENDING TV
One of Castle's more atmospheric and modestly entertaining schlock-o-ramas, today it's a kitsch-cult fave of vintage late-night TV "Monster Chiller Horror Theater" connoisseurs. Barnum, producer-director William Castle. That is, this 1959 cheese plate is the archetypal Haunted House camp ghoulishness from the heyday of Jujubes, wax lips, and horror's low-rent P.T. the Flying Saucers is to sci-fi, House on Haunted Hill is for fright flicks. The DVD Journal | Quick Reviews: House on Haunted Hill (1959) House on Haunted Hill (1959)